![]() In April, India’s minister for electronics and information technology, Ashwini Vaishnaw, informed the Parliament that the government was not planning to regulate or set any laws for AI. “It is a disruptive technology and we are operating in a legal vacuum in India.” Video tutorials on the platform guide users on generating vocals of the deceased rapper. is like an issue 100 years ahead for us.” A YouTube channel has compiled a playlist of the popular AI Moosewala tracks. “In India, we are still figuring out our copyright laws. “No matter what you do, is here to stay,” Kapur said. “In the music industry, there is a lot of struggle in making money. “As AI gets more inducted into softwares, everything - from commercial stuff scores for ads and movies - will sound more and more similar,” he said.įor Kashmiri rapper Javed, the beauty of music production is rooted in the imperfections of humans. Kapur said he was worried about how AI would dilute music itself. “This industry is fucked up, so any new tech that is being introduced in it is likely to be fucked up as well.” It’ll change the way people value art,” he told Rest of World. “It’ll devalue the work of humans - that is, more job losses. ![]() According to Uday Kapur, music consultant and co-founder of Azadi Records, AI will only serve to reduce the payout musicians get, which is already a pittance. The company also issued a statement about the dangers of AI and copyright infringement, after the song amassed over 20 million views.īut the music industry in India has a lot more to lose. On April 4, an unknown TikTok user named released an AI-generated track, “Heart On My Sleeve.” The Universal Music Group, which represents both artists, had it taken down from most platforms - Apple Music, Spotify, YouTube, and TikTok have all pulled the track. The most notable precedent for the problem of AI-generated fakes is the episode involving artists Drake and The Weeknd. “We don’t have any control over it and anyone filled with hatred can do stupid shit.” ![]() “Using Moosewala’s vocals and trying to get an artist to say something that they never said is very disturbing and uncomfortable to me,” Ahmer Javed, a Kashmiri rapper and the co-founder of Srinagar-based hip-hop collective Koshur Nizam, told Rest of World. There’s “Eminem” rapping about his love for cats, “ Message from Above” generated in late rapper Tupac Shakur’s voice, a fake collab between rapper Drake and Moosewala, and many more. Several AI-generated songs have flooded social media platforms, accumulating thousands of views. The rise of AI has presented the music industry with a slew of new problems, including copyright ownership and royalties. It requested the producers putting out AI-generated music to stop. “His talent was unmatched and we would like it to stay the same,” the statement read. Instead, on May 14, Moosewala’s family put out an official statement condemning the AI-generated tracks for doing “more damage than good” to his legacy. “I thought it’d make his parents, who lost their only son, happy.” “To me, producing this track was like a slap to the face of the killers of Sidhu,” Singh said. The Denver-based DJ, known by the alias MRA, claimed he had wondered if it was ethical. “And that shit just blew up.” The song went viral since April, it has racked up over a million views on Instagram.īefore he released the track, Singh spent three weeks on voice diffusion with AI to finesse it. *Note - Teachers are offered professional development, should they choose to attend the one-hour workshop in our Computer Music Laboratory 2 where the latest music application such as Ableton Live, Logic and Sibelius.“The idea was to keep his voice alive and spread his legacy so much that it will last for generations,” Amarjit Singh, the 29-year-old producer of “Clash,” told Rest of World. Music Production and Recording – with Dr Pat O’Grady Music for Film and Video Games – with Professor Kenneth LamplĬontemporary Composition – with by Professor Frank Millward Workshops in Music Composition and Technology: Strings – with Tor Fromyhr and David Pereira Workshops will cover composition and performance across a range of instruments (details below).īring your instrument, your curiosity, creativity, beats and ideas. Get hands on with our world class recording studios, music technology laboratories, teaching and practice spaces, rare instrument collections, and in-house performance spaces including Canberra’s premier concert venue Llewellyn Hall. Perform, Compose and Improvise Your Life in MusicĪre you interested in studying music at the prestigious Australian National University? Meet our staff and participate in workshops on Thursday 6 July 2023 at the ANU School of Music.
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